Up to POV-Ray 3.7 RC7 it has not been possible so far to declare custom properties for POV-Ray’s objects, which would be especially useful for complex objects defined in include files.

Currently, if you want to have an object (e.g. a car) with certain variable parameters (e.g. colour, wheel rotation, ...) defined in an include file and the parameters set by a scene file which uses the include file, you have to choose one of the following approaches:

1. use a macro

#macro car(colour, wheelrot, ...)
  ...
#end

or, 2. check parameters declared before, e.g.

#declare car =
union {
  
  #ifdef (colour)
    #local colour_internal = colour;
  #else
    #local colour_internal = default_colour;
  #end
  
}

The resulting object would be used in the following way:

  #include "car.inc" // include file once
  object {
    car(rgb <1,0,0>, 0, ...) // macro approach
  }

  // other approach
  #declare colour = rgb <1,0,0>;
  #declare wheelrot = 0;
  ...
  #include "car.inc" // include file every time you want to have a car object instance
  object {
    car
  }

Needless to say, both approaches are not quite optimal.

• The macro approach needs only one #include directive and name conflicts will (hopefully) not be a problem. However, one would have to look up the parameter order of the macro in the include file, in the worst case every time the macro is used.
• The other approach needs as many #include directives as car objects shall be instantiated, there can arise name conflicts with other inculde files used in the scene, and a (potentially long) list of parameters has to be declared before each #include. On the other hand, with this approach for any value it is clear which information it gives, e.g. #declare colour = rgb <1,0,0> can easily be read as ‘set car colour to “red”‘.

My suggestion would be creating an SDL feature to

• declare which properties a certain object can have
• set these properties inside the object statement in which the object is used.

One step up could be to even declare object classes along with them.

This could look like this:

// include file code
class car { // alternatively (without classes) use #declare car = object { ...
  property colour = rgb <1,0,0>; // with default colour
  
  union {
    ...
  }
}

// scene file code
car { // alternatively (without classes) use object { car ... }
  colour rgb <0,0,1>
}

Note that this solution makes the declarations much more concise and easy-to-read. Especially in scenes with many includes and animation scenes where objects’ properties have to be manipulated according to sometimes complex functions, this would be very useful. Please also consider that such user-defined objects can have dozens of properties.

Draw_Vistas, Light_Buffer, and Vista_Buffer (plus associated switches) do not issue warning when used, even tho code has been disabled.

pov 3.7 Can not identify the Chinese.I give the texture map filename in chinese,it turns out parse error.

This doesn’t work:

#declare pavement_object = array[2]
{

object {trash_can_macro()	scale 3/4			translate -x * 1/2},
object {potted_plant_macro(_CT_rand2)	scale 3/4	scale 3/2	translate -x * 1/2}

}

This does work:

#declare trash_can_object = object {trash_can_macro()};
#declare potted_plant_object = object {potted_plant_macro(_CT_rand2)};
#declare pavement_object = array[2]
{

object {trash_can_object	scale 3/4			translate -x * 1/2},
object {potted_plant_object	scale 3/4	scale 3/2	translate -x * 1/2}

}

Logically, I cannot see a reason for this to be so.

Just like radiosity load/save, the photon mapping load/save mechanism should be moved to the frontend and controlled via command-line switch, instead of being SDL-driven in the backend.

photons are not working when used with a light_group. verified in NG posting in p.general a simple scene file is attached.

In the photons map, the direction of each photon is stored as separate latitude & longitude angles (encoded in one byte each), causing the longitudinal direction component’s precision to be unnecessarily high for directions close to the “poles” (Y axis); in addition, encoded value -128 is never used. For better overall precision as well as precision homogenity, the following scheme could be used instead:

• Encode the latitude (-pi/2 to +pi/2) into LatCount=226 distinct values (= 256*sqrt(pi)/2) rounded to the next even number) from 0 to LatCount-1 using

latCode = (int)((LatCount-1) * (lat/M_PI + 0.5) + 0.5)

• For each latitude code, define a specific number of encodable longitude values, LngCount[latCode] = approx. cos(lat)*pi*65536/(2*LatCount); this can be a pre-computed table, and may need slight tweaking for optimum use of the code space. Encode the longitude (-pi to +pi) into a value from 0 to (LngCount[lat]-1) using

LC = LngCount[latCode];
lngCode = (int)(LC * (lng/(2*M_PI) + 0.5) + 0.5) % LC;

• Besides LngCount[latCode], also store the sum of LngCount[i] with i < latCode as LatBase[latCode]; encode the direction as

dirCode = LatBase[latCode] + lngCode;

• For decoding, a simple lookup from a precomputed list of directions could be used (2^15 entries, i.e. one hemisphere, will suffice). To conserve space, direction vectors could be scaled by (2^N-1) and stored as (N+1)-bit signed integer triples rather than floating point values; due to the limited precision of the lat/long information, 8 bits per coordinate might be enough, giving a table size of 96k. A full double-precision table would require 786k instead.

Would be great to have a “Reload” option in the File menu to manually reload the current file from disk, discarding all subsequent changes since the last save.

If a render is continued with the +c option and the render had completed, the render preview window will disappear and the show/hide render window button will be grayed. Even after the scene is modified and the command line options have been changed, the show/hide button will still be grayed.

Opening or changing to another scene and rendering will not restore the button, nor will rendering with +d. However, if a trace is started using -d, halted, then continued using +d (or allowed to finish completely with -d and a new one is started using +d), then the preview window is restored.

This behavior is different from 3.6.1, which correctly always showed the preview window (since +d is default) unless -d was specified.

For proper render abort/continue support, radiosity cache data must be written to (or read from) disk even if the user does not explicitly opt to have a sample data file written/read. This feature has temporarily been dropped from 3.7 beta and is still pending re-implementation.

To meet high-reproducibility requirements in conjunction with SMP operation, it may be necessary to extend the 3.6 radiosity cache file format.

Near concave edges, radiosity samples may be re-used at a longer distance away from the edge than towards the edge; there is code in place to ensure this, but it only works properly where two surfaces meet roughly rectangularly, while failing near the junction of three surfaces or non-rectangular edges, potentially causing “cross-talk”.

It should be investigated how the algorithm can be improved or replaced to better cope with non-trivial geometry.

Currently, radiosity does not make use of the fact that pertubed normals would theoretically just require a different weighting of already-sampled rays, leading to the following issues:

• Honoring normal pertubations in radiosity leads to an increased number of samples, slowing down sample cache lookup.
• The increased number of samples is generated from a proportionally higher number of sample rays, slowing down pretrace even further.
• Low-amplitude pertubations tend to be smoothed out; “reviving” these is only possible by increasing the general sample density.
• Handling of multi-layered textures with different normal pertubations is currently poorly implemented.

As a solution, I propose to store for each radiosity sample not only the resulting illumination for a perfectly unpertubed normal, but from the same set of sample rays also compute the illumination for an additional set of about a dozen standardized pertubed-normal directions, and interpolate among these when computing the radiosity-based illumination for a particular point that has a pertubed normal.

For backwards compatibility, this method of dealing with pertubed normals in radiosity might be activated by a different value for the “normal” statement in the radiosity block, say, “normal 2”.

Front- & Back-end code should be refactored for full Unicode support in scene files and strings.

See this documentation entry for more details.

I observe frequent segfaults with POV-Ray 3.7 betas when rendering scenes using photons:

• Debian Linux 4.0r5 “etch” for AMD64
• AMD Phenom X4 9650 2.3GHz, 6 GB RAM
• POV-Ray compiled with Intel icpc 11.0

Segfaults are sporadic but frequent (occurring in roughly 50% of all photon renders).

On Windows, when I try and save a file while it is being parsed prior to rendering, I get an error, “Failed to save file: The operation completed successfully”, with a single OK button to click. Despite the weird wording, I’m OK with that.

However after clicking OK I get the error, “Failed to save file ‘...’“, with three buttons: Cancel, Try Again, Continue. Not sure what “Continue” means in this context, given that the possibilities would seem to be covered by the other two buttons. Whatever.

Also, sometimes I get a message with only a single “Retry” button. Not sure what the exact message was.

Anyway, the real problem is that, regardless of which button I press, the program continues to spawning the same error message endlessly. Luckily there is a delay between them, but still it would be nice to have at least one of the three buttons *stop* POV-Ray from asking me again.

Also, once the program finishes parsing the file and it becomes possible once again to save the file, it does nothing. I.e. it doesn’t save the file. So what’s the point of the message and all the options? Why not just say, “Unable to save the file, file is parsing” and be done with it?

I think I recall the same behavior in 3.6.2, so it’s nothing new that’s been introduced.

Hi,

it would be nice if there exists a test scene (not a benchmark) which has a high coverage of povray source and can be used as correctness validation of povray. It schould be produce an image which can be compared to a golden reference image.

It may be also possible to create a regression test suite which does automatic comparision of the render results.

Subsurface scattering must be made photon-aware.

The following scene causes a crash:

sphere {
  <0,0,0>, 1
  finish { subsurface { translucency 1.0 } }
}

global_settings {
  subsurface { }
}

There is an big issue with the slope pattern: when the object it is applied to is instanced (again) with a transformation (in particular a rotation, as a translation would not impact.. but a shear might), the colours of the surfaces are changed.

  
object { p translate -5*x }
object { p rotate 220*y+20*x    translate 3*x }       

Nobody would expect the object to be different in appearance.
If slope {} is replaced with wood, all is fine. (as for others textures, i guess)

IMHO, the slope vector need to be adjusted for the later transformation(s) (so as to compensate the issue of using the Perturbed Normal vector).

This should not impact the AOI/FACING (experimental) patterns, as AOI definition is pretty clear about duplicating & transform if you think about it a bit, as well as FACING: for these two, it is expected to either use the ray(current point of view) or a fixed 3D point as reference. At the limit, discussion about moving the 3D point of FACING might also be opened to interpretation.

AOI/FACING are in task #19

User-defined warps would be nice to have, something along the lines of:

warp {
  function { MyFnX(x,y,z) } // function to compute pattern-space x-coordinate from object-space <x,y,z> coordinate
  function { MyFnY(x,y,z) } // ditto for pattern-space y coordinate
  function { MyFnZ(x,y,z) } // ditto for pattern-space z coordinate
}

// a displacement warp:
warp {
  function { x + MyFnX(x,y,z) }
  function { y + MyFnY(x,y,z) }
  function { z + MyFnZ(x,y,z) }
}

Think this is still a problem. See the attached scene file. Find the WindowFrameSegment declaration for more info. The scene as-is shows the problem (SOME portions of the difference inherit the color of the room) the window opening is scaled larger to show that they AREN’T touching. The problem goes away when (in WindowFrameSegment) the 1st occurrence of the applied texture is commented out and the 2nd occurrence is uncommented, and cutaway_textures is commented out.

I probably don’t have to explain why the camera_view pigment in MegaPOV was important, but I will list some reasons anyway:

1) post-processing could be performed in-scene
2) new types of focal blur effects could be created
3) feedback fractals were possible

I’m sure there are many others, as this is one of those features that has undetermined potential!

The combination of metallic reflection with conserve_energy causes the reflection to lose colour, as demonstrated by the following scene:

global_settings {
  max_trace_level 10
}

camera {
  right x*image_width/image_height
  location  <-2,2.6,-10>
  look_at   <0,0.75,0>
}

light_source {
  <500,300,150>
  color rgb 1.3
}

sky_sphere {
  pigment {
    gradient y
    color_map {
      [0.0 rgb <0.6,0.7,1.0>]
      [0.7 rgb <0.0,0.1,0.8>]
    }
  }
}

plane {
  y, 0
  texture { pigment { color rgb 0.7 } }
}

#declare M=
material {
  texture {
    pigment {rgbt <1.0,0.7,0.2,0.99>}
    finish {
      ambient 0.0
      diffuse 0.5
      specular 0.6
      roughness 0.005
      reflection { 0.8, 1.0 metallic }
      conserve_energy
    }
  }
  interior { ior 1.5 }
}

box {
  <-0.2,0,-2.3>, <0.0,4,0.3>
  material { M }
  rotate z*5
  rotate x*2
}

At times, the current method of specifying texture for
CSG components and compounds is restricting. The issue
pops up now and then, see e.g.

http://news.povray.org/povray.pov4.discussion.general/thread/%3Cweb.4799def8e1857b77c150d4c10%40news.povray.org%3E/

http://news.povray.org/povray.general/thread/%3Cweb.4fc892634f065c00e32b83540@news.povray.org%3E/

http://news.povray.org/povray.general/thread/%3Cweb.5073e9f7dae1fbb2d97ee2b90%40news.povray.org%3E/

There should be a new CSG option “texture_mode” or similar, which could take
one of the following values:

preserve (the current behavior)
cutaway (the current behavior when specifying cutaway_textures)
override (replace all individual textures with compound texture)
layer (layer the compound texture over the existing textures)

and possibly, more involved

modify/merge: if both element and compund textures are simple, i.e.
not layered or mapped, override all default values of the element
textures with the values from the compound texture. The idea would
be to, e.g., have the elements already pigmented but then apply
common normal or finish properties.

When placing a transparent object inside another object which contains media, artefacts may occur (see attached file). They look similar to specular highlights or are just strange white spots in the image.

I discovered artefacts of that kind first in the image of which MediaArtefactDetail.png is a cropped part. The code I managed to reproduce such artefacts with contained a “starfield” sphere

sphere {
  <0,0,0>, 1
  
  pigment { rgbt 1 }
  
  interior {
    media {
      emission rgb 1/10
      density {
        crackle form <1,0,0>
        density_map {
          [0.0 rgb 1]
          [0.05 rgb 0]
        }
        scale 0.002
      }
    }
  }
  
  scale 1000
  
  hollow on
}

and a transparent sphere

sphere {
  <0,0,0>, 1
  
  pigment { rgbt 1 }
  
  scale 2
  
  hollow on
}

which is, obviously, completely inside the other sphere. So is the camera.

Since the sphere has a pigment { rgbt 1 }, it should be completely invisible, which is correctly rendered as long as the scaling factor is 1 and hollow off (MediaArtefact1.png). Changing hollow to on does not yet produce the artefact, but the right half of the output image seems to be shifted by one pixel (MediaArtefact2.png). Changing the scaling factor to 2 (as it is in the above code) produces the artefact (MediaArtefact3.png). Changing the camera location (MediaArtefact4.png) does not change anything, the artefact just “moves with the sphere”. Changing the sphere size again, however, seems to stir up the “stars” in the “starfield” sphere while not removing the artefacts (MediaArtefact5.png). Changing hollow to off again does neither (MediaArtefact6.png).

The artefacts are definitely no specular highlights. There is not even a light source in the scene that could produce any. I used POV-Ray 3.7 RC6 to render the images, but the artefact shown in MediaArtefactDetail.png already occured in POV-Ray 3.6 which I used to render that image.

[EDIT: Original title was “radiosity causing black patches when using emission less than 0”]

see attached image for reference.

mountain on left has emission set to -.13 and black patches show up, when emmission set to 0 or greater no patches

changing max_trace or any radiosity settings has no effect

setting no_radiosity on mountain fixed problem as a temp fix

code sample ...

#version 3.7;

#default { finish { ambient 0 } }
#declare rad_lvl = 4;

global_settings {
  assumed_gamma 1
  max_trace_level max(5,rad_lvl*3)
  adc_bailout .007
  ambient_light 0
  radiosity {
   pretrace_start 64/max(image_width,image_height)
   #if(rad_lvl)
    pretrace_end max(2,int(8/rad_lvl))/max(image_width,image_height)
   #else
    pretrace_end 32/max(image_width,image_height)
   #end
   count pow(rad_lvl+1,2)*10
   nearest_count 1
   #if(rad_lvl) error_bound 1/rad_lvl #end
   low_error_factor max(.4,(8-rad_lvl)/10)
   recursion_limit 1
   gray_threshold .25
   brightness 1
   max_sample 1
   normal on
   media off
   always_sample off
   minimum_reuse min(.008,8/max(image_width,image_height))
   maximum_reuse .1
   adc_bailout .02
  }
}

#declare sunC = rgb <1, 1, .9925>; // actual D65 standard illuminant
#declare SkyC = rgb <.3195, .5745, .8805>;
#macro GammaAdj(C,G) rgb <pow(C.red,G),pow(C.green,G),pow(C.blue,G)> #end

light_source {
  50000*y
  sunC*1.06
  area_light <-300, 0, -300>, <300, 100, 300>, 3, 3
  rotate <-28, 0, 14>
  adaptive 0
  circular
}

 sphere { 0, 1
  texture {
   pigment{
    gradient y
    pigment_map{
     [.07 GammaAdj(SkyC,.5)]
     [.2 average pigment_map { [.5 GammaAdj(SkyC,.75)][1 wrinkles turbulence .65 octaves 5 lambda 3 omega .9 color_map { [.2 rgb 1][.5 SkyC] } scale <10, .1, 1>] }]
     [.4 GammaAdj(SkyC,1.15)]
     [.5 GammaAdj(SkyC,1.35)]
    }
    rotate -75*y scale <1, 1, 100>
   }
   finish { diffuse .72 }
  }
  scale 100000
  inverse
 }


#declare Cam_pos = Cam_pos + <0, 20, -40>;
#declare Cam_lkt = Cam_lkt + <0, 10, 50>;
camera {
  location Cam_pos
  direction <0,0,1>
  right 1.33*x
  up y
  sky <0,1,0>
  #if(Cam_agl) angle Cam_agl #end
  look_at Cam_lkt
}

#macro sinai(HillQ)
 #local F = function { pattern { granite poly_wave 4 turbulence .01 lambda 2.1 omega .9 scale 5 translate <.2, 0, 18.08> scale <2, 1, 3> } }
 #local N = function { pigment { crackle ramp_wave turbulence .3 lambda 2.2 omega .76 color_map {[0 rgb 0][1 rgb 1] } scale .07 translate <-.15, -.12, .13> } }
 height_field {
  function HillQ, HillQ { F(x,y,z) + N(x,y,z).grey/47 }
  water_level .05
  clipped_by { box { <0, .05, .3>, <1, 1, 1> } }
  translate <-.5, -.05, -.5>
  rotate 20*y
  texture {
   pigment{ crackle color_map { [0 rgb <161, 107, 71>/255][.25 rgb <193, 132, 93>/255][.35 rgb <218, 163, 123>/255][.45 rgb <212, 153, 112>/255][.55 rgb <222, 166, 125>/255][.65 rgb <236, 178, 124>/255][.75 rgb <220, 154, 102>/255][.85 rgb <160, 121, 103>/255] } turbulence .75 lambda 3 omega .7 scale .1 }
   finish{ diffuse albedo .56 emission -.13 specular .25 roughness .02 brilliance 1.5 metallic 1.3 }
   normal { crackle poly_wave .7 turbulence .4 omega .8 scale <.007, .03, .007> }
  }
  rotate 12*y
  scale <2400, 2000, 3000>*1.5
  translate <1900, 0, 1900>
  scale <-1,1,1>
  no_radiosity
 }
#end


sinai(1600)
plane { y,0 pigment { rgb <1, 1, 1> } }

//courtyard gating not included due to size of code and many external files needed. add anything around <0,0,0> to try to reproduce effect of error

When working with predefined materials, it would be useful to have something like:

#if (!Use_photons)
  #default { interior { caustics 1 } }
#end

#include "my_predefined_materials.inc"

Default medias or IORs could also be useful.

It would be nice to be able to specify colors in HLS as well as RGB.

Currently, you can use a macor to convert individual colors. But this does not work in color_maps where you want smooth gradations/interpolations between two or several colors.

When changing the behavior of the render window, “Keep above main”, requires restarting the POV editor to take effect. It would be nice either to get a warning to restart, or to get it to work without restarting.

Warnings should be raised when a command line option has no effect,
for example...

pvengine +am

is legal, but without the number after it, it has no effect.

pvengine +am7

should be an error, and also raises no warnings.

Would be great if there were a “Rename” option in the editor File menu to rename the current file name. Otherwise, you have to close the file, rename it in file manager, then open the file again, thus loosing the current tab position and undo history for the file.

October to middle November, I prodduced a 5 minutes video mainly py POVRAY.

Here a part of the video.ini file

#

When rendering in multiple passes (radiosity in my case), the elapsed pixels and percentage, written to terminal
are first displayed like this:
Rendered 126202 of 360000 pixels (35%)
Then on the second stage the output text becomes shorter and you see
Rendered 25344 of 360000 pixels (7%)%)
The contents of the previous status are not erased, so the longer text persists (note the duplicate percentage sign and closing parenthesis). Such a glitch could have more drastic effect in rare cases.

I’m running
Version 3.7.0.RC3 (g++ 4.6.2 x86_64-unknown-linux-gnu)
compiled for the Arch Linux package.

When rendering for some time, it occasionally happens that POV-Ray appears twice in the Windows taskbar. One button is the normal one, the other one does not open any window when clicked on and reads something like “99% complete” (see attached image), like the render window’s title, but obviously unrelated to it (probably the title the render window had shortly before?). After stopping the render, the odd taskbar button remains there until POV-Ray is closed.

• Observed under Windows XP
• POV-Ray 3.7.0.RC7.msvc10-sse2.win32
• When applications are summarized into groups in the taskbar by Windows, the odd POV-Ray button is attached to the Windows Explorer group
• Run with render priority set to “high”

Is this a Bug in Windows or in POV-Ray?

Here are two low-priority bugs in POV-Ray’s GUI, observed by me under Windows XP, which should be easy to fix I think:

• In the “Insert” menu, there are sub-menus (e.g. “Radiosity and Photons”) in which there are menu seperators at the end of the popped-up menu bar.
• The progress bar in the top-right corner of the editor window seems to be too large for the window (203px) and therefore clipped. As a result, progress seems to be 100% when it is not yet, e.g. at 90% progress. (Have not measured exactly.)

Both bugs are not severe at all, but it would be nice if they could be fixed.
By the way, a second progress bar could be added to visualize the number of frames already rendered in an animation.

On a very long render, around day 24, the elapsed time display becomes incorrect, showing 4294967272d 4294967272h 4294967272m 4294967272s.

Found on Windows 7 64 bits and reproduced on Windows 7 32 bits.
NOT reported on other platforms.

Tooltip popup for render speed always displays as “Pixels per Second” rather than matching status bar. I’ve noticed it in 3 renders so far. Most of my renders are fast enough not to see any other unit besides PPS, but I should be able to reproduce again if necessary.

The following command fails with parsing error:
povray +OqXfFbD0Vg5XjZgi5sOefkvdF_oCGrZ1ChVhrQw==.png +IqXfFbD0Vg5XjZgi5sOefkvdF_oCGrZ1ChVhrQw==.pov +W1000 +H1000

The following command succeeds:
povray +OqXfFbD0Vg5XjZgi5sOefkvdF_oCGrZ1ChVhrQw.png +IqXfFbD0Vg5XjZgi5sOefkvdF_oCGrZ1ChVhrQw.pov +W1000 +H1000

Any option that gets a filename as parameter will fail if it contains ‘=’.

It is a regression, as it worked fine with 3.6.

When you press alt+b or access the “about” dialog in the Help menu it displays some text including software version number and list of contributors.

It would be nice to be able to select and copy this text using this mouse. Sometimes in the newsgroup I have to tell people what version of POVray I am using, and typing the version number can be a pain.

In other languages if you encounter an error you’ll often be presented with a stack trace showing not only the file and line number the error occurred at, but also any calling functions and _their_ calling functions and so on.

Currently, Povray reports the line number of the error as well as the last five or so lines prior to the error. This is usually OK in simple scenes, but breaks down when you start making use of inclusion and macros.

Let’s say you have a macro located in a file that you then include in your scene. Within your scene you call the macro multiple times, passing input to it. However, by accident you pass _invalid_ input to the macro at some point, resulting in an error when parsing. In this case Povray will report the error as belonging to the macro whereas the actual bug exists in the calling code. If the macro is called more than once in your scene it can be difficult to figure out _which_ instance is the one supplying the bad input.

Not sure how much of this is achievable in Povray.

With 3.7.0 final, rendering attached files (for Computer Engineering college course),
which renders without issues in povray 3.6.1, fails with following error:

...
==== [Rendering...] ========================================================
povray: backend/lighting/radiosity.cpp:324: virtual void pov::RadiosityFunction::BeforeTile(int, unsigned int): Assertion `(pts >= PRETRACE_FIRST) && (pts <= PRETRACE_MAX)' failed.

Command line:

povray +K0.6500 \
+FN +Q9 +MB1 \
+W600 +H400 \
+AM1 +A0.0 +R2 \
+D +SP32 +EP4 \
+L/usr/share/povray-3.7/include \
+Imain.pov \
+Omain-0.6500.png

Using Arch Linux testing current:
Linux archmidi 3.12.0-1-ARCH #1 SMP PREEMPT Wed Nov 6 09:06:27 CET 2013 x86_64 GNU/Linux

Downstream bug report:
https://bugs.archlinux.org/task/37689

In the files bezier.cpp, fpmetric.cpp, fractal.cpp, hfield.cpp, isosurf.cpp, lathe.cpp, poly.cpp, polygon.cpp, prism.cpp, sor.cpp, and sphsweep.cpp the use of POV_MALLOC can be replaced by std::vector quite easily because the containing class already is a C++ class. As this is a low hanging fruit for continued code cleanup, it should be done sooner rather than later.

circular area lights exhibit some anisotropy, being brighter along the diagonals than on average, as can be demonstrated with the following scene:

//+w800 +h800
#version 3.7;
global_settings{assumed_gamma 1}
plane{-z,-10 pigment{rgb 1} finish{ambient 0 brilliance 0}}
disc{0,z,10000,0.5}
camera{orthographic location z look_at 10*z up y*12 right x*12}
light_source{-10*z rgb 10 area_light 10*x 10*y 257 257 adaptive 4 circular}

not sure if this is something needing further work or an intended effect.

Shadows from and area light with area_illumination on seem to follow the same shadow calculation as a standard area light by giving more weight to lights near the center of the array. I would assume the shadows would be calculated similarly to individual lights in the same pattern as the array by evenly distributing the amount of shadow equally for each light. But this is not what I see.

The code sample below when rendered with scene 1 will show shadows grouped near the center from the area light with area_illumination. If scene 1 is commented out and scene 2 is uncommented then rendered, you will see evenly distributed shadows from individual lights. Area lighting with area_illumination I would assume should give a result identical to scene 2. If scene 1 is rendered with area_illumination off, the shadow calculation is exactly the same as with area_illumination on.

example images rendered on win32 XP

#version 3.7;

global_settings {
 ambient_light 0
 assumed_gamma 1
}

camera {
  location <0, 3, -5>
  look_at <0, 2, 0>
}

background { rgb <.3, .5, .8> }
plane { y,0 pigment { rgb .7 } }
torus { 1.5,.1 rotate 90*x translate 4*z pigment { rgb .2 } }
plane { -z,-7 pigment { rgb .7 } }

/*
// scene 1
light_source{
  y
  1
  area_light 3*x, z, 7, 1
  area_illumination on
}
union {
 sphere { 0,.05 }
 sphere { .5*x,.05 }
 sphere { x,.05 }
 sphere { 1.5*x,.05 }
 sphere { -.5*x,.05 }
 sphere { -x,.05 }
 sphere { -1.5*x,.05 }
 translate y
  hollow pigment { rgbt 1 } interior { media { emission 10 } }
}
// end scene 1
*/


// scene 2
#declare Light = light_source {
  0
  1/7
  looks_like { sphere { 0,.05 hollow pigment { rgbt 1 } interior { media { emission 10 } } } }
}

union {
 object { Light }
 object { Light translate .5*x }
 object { Light translate x }
 object { Light translate 1.5*x }
 object { Light translate -.5*x }
 object { Light translate -x }
 object { Light translate -1.5*x }
 translate y
}
// end scene 2

I created an INI file which specifies the Input_File_Name, Output_File_Name, and also the Render_File and the remaining four text outputs as double-quoted absolute paths on my disk. When I run the render, I get the following output:

Preset INI file is ‘C:\USERS\TPREAL\DOCUMENTS\POV-RAY\V3.7\INI\QUICKRES.INI’, section is ‘[512×384, No AA]’.
Preset source file is ‘D:\Ruby\POV-Rb\ini\20110521_004037_Noix.ini’.
Rendering with 2 threads.
-
Cannot open file.
Render failed
-
CPU time used: kernel 0.06 seconds, user 0.02 seconds, total 0.08 seconds.
Elapsed time 0.52 seconds.

And the render does not start. The five text output files are not even created, and where the output image should be, there is a file with extension pov-state. The render works as it should only when I remove all five lines defining the five text output files. The paths I specify for the files are correct (paths exist and files do not, no white-spaces or anything), read/write restrictions are disabled in POV-Ray. This used to work in 3.6 and does not work now in 3.7 RC3. The error happens no matter if I run the render using GUI or command line.

(Also please note that the error message is really not useful here, it does not say which file it failed to open, and not even if it was an attempt to open for read or for write.)

I’d be really glad if you could correct this as it’s a critical functionality for me. I’m generating the POV-Ray code automatically and I need to parse the text output automatically to return the status to the generator.

When resolution is not specified (neither via POVRAY.INI nor via QUICKRES.INI nor via command line or custom .ini file), random values are displayed for image resolution in the Image Output Options message output. (The actual render will be performed at the default size of 160×120 pixels though.)

Windows UI code should be refactored to use _TCHAR throughout instead of char, as well as the corresponding string function macros, to head for Unicode support.

When using cutaway_textures in a CSG object that has union children, results are not as expected; instead, surfaces in the union children that have no explicit texture will be rendered with the default texture instead. This is not the case for e.g. difference children.

Example:

#default { texture { pigment { rgb 1 } } }

camera {
  right x*image_width/image_height
  location  <0,1.5,-4>
  look_at   <0,1,0>
}

light_source { <500,500,-500> color rgb 1 }

#declare U = union {
  sphere { <0,-0.1,-1>, 0.3 }
  sphere { <0, 0.1,-1>, 0.3 pigment { color red 1 } }
}

intersection {
  sphere { <0,0,0>, 1 pigment { color green 1 } }
  object { U }
  cutaway_textures
  rotate y*90
}

When declaring U as an intersection instead, the results are as expected, with the surface of the first sphere in U being rendered with the texture defined in the outer intersection.

There is an issue where the pause button in POVWIN will sometimes not work during an animation (primarily where the frame rate is high), and furthermore, POVWIN can then get into a state where it’s not possible to use the pause until it is re-started.

Newsgroup report.